The Point

Young Oblio is a round-headed lad who lives in a land where everybody literally has a point ... on the top of their head. When his secret is revealed he is banished to the Pointless Forest where he goes through a series of adventures that prove you don’t need a pointed head to have a pointed life. It’s the kind of kids’ story that sounds almost too cute to be bearable, but it’s saved by some dynamic art and a lovely musical score by Harry Nilsson, who also wrote the story. Ringo Starr does a nice job narrating the story, which really helps when you get to the more cloying parts, and Mick Lookinland, better known to millions of TV viewers as Bobby Brady of The Brady Bunch, is good as the voice of Oblio.

Creep Van

Horror movie fans will feel like they are trapped in a time machine and transported to a Times Square grind house circa 1975 watching director Scott W. Mckinlay’s new film, Creep Van. And that’s a good thing, because the old school feel of the film really cranks up the fear factor. The film stars Brian Kolodziej as Campbell, a chronic underachiever working in a rundown car wash trying to get enough money together so he can buy a car and get a girl. There’s a subplot about a serial killer driving around town in a tricked-out van that is equipped with enough lethal devices to wipe out half the cast and never repeat a method of murder. The whole point of the story, naturally, is to get Campbell and the van together and it manages to do it in a gruesomely imaginative way.

Backstage at Budz House: Comedy Special

The cast of the comedy Budz House must have had some extra film stock left over when they finished filming, so they used it to record this down and dirty comedy special featuring the cast and a few invited guests. The result is more of a videotaped house party than a feature film, and that’s just fine. The loose nature of the show is infectious, encouraging you to laugh even when the jokes really aren’t that funny. Of all the performers, host Faizon Love seems to be having the most fun of anybody; he’s also the funniest. While it stands alone as a night of comedy, this is a show that really should be seen after you watch the original Budz House, a smart little comedy that’s worth checking out

Ice Age—Continental Drift

There’s something just so darn likable about Manny, Diego and Sid – voiced by Ray Romano, Denis Leary and John Leguizamo – that they could make a movie about them doing almost anything and it would be worth watching. Thankfully the folks at Sony Animation have higher ambitions for their primary franchise and while this latest chapter may not live up to its predecessors in terms of story or character, it’s certainly entertaining enough to be better than most of the family movies (animated and not so animated) released this year. The basic plot of the story is, as the title indicates, the shifting of the Teutonic plates of the earth to form the continents. Out three heroes, and a selection of minor, but still funny characters, get caught in the shift, are separated from their loved ones and then have to find a way back. The ending may never be in doubt but there is enough adventure along the way to make you cheer when everyone is reunited.

Arbitrage

Gere has been a movie star for more than three decades and has some of the more iconic film experiences on his resume to prove it, from the boy toy Julian in American Gigolo to the suave hooker-loving businessman of Pretty Woman. He tap danced in Chicago, did full frontal nudity in Breathless and played gynecologist to the likes of Helen Hunt, Farrah Fawcett, Tara Reid and Kate Hudson in Dr. T and the Women. Not all of his films have been successful, either at the box office or from an artistic point of view. Some of them are borderline unwatchable (King David, Mr. Jones). Through them all, though, Gere has given his best, whether the material deserved it or not. The match of man and material is strong in Arbitrage. Imagine if Edward Lewis, the business tycoon he played in Pretty Woman, never met the hooker with the golden heart who changed his evil ways and instead went on to destroy the old man’s company like he intended. Now crank him up to 11 and coat him in 20 years of slime and you have an idea of who Robert Miller is, at least under the surface. In lesser hands, Miller would be a caricature of a business shark, a Snidely Whiplash in a well-tailored suit. Gere’s better than that. Much better. He starts the film showing us Miller as a master of the financial universe, a man who knows the power he has and what it can get him. Watching that facade crack, and watching a good actor at the top of his game portray a man losing everything is absolutely fascinating.

Total Recall

Colin Farrell stars as Douglas Quaid a blue collar factory worker who is starting to have troubling dreams, dreams where he and a mysterious beauty (Jessica Biel) are running from a bunch of bad guys wearing what looks like cheap Storm Trooper costumes. Quaid always wakes up before he finds out how the dream ends, but the image of what happens, and the weird feeling that it actually happened in real life, haunts him through his waking hours. To get a better grip on his slipping reality, Quaid goes to Rekal, a shady corporation that implants memories directly into your brain to make you think you did things you really haven’t, to see if he can get into his dreams and finish them. Something goes wrong during the process, however, and Quaid starts to act more like the man in his head than the man he thought he was. Confused? Don’t be. Director Len Wiseman does a pretty good job of explaining what is going on along the way, giving audiences just enough info to keep them interested without giving away too many secrets.

Butter

There have been crazier ideas for a comedy than setting it in the world of competitive butter sculpturing, but it’s hard to think of one that has been funnier. The film stars Jennifer Garner as Laura, the domineering wife of the local champion (a delightful Ty Burrell). When her better half decides to retire, Laura’s need to be the Butter Queen of the town forces her to enter the sculpting competition where she goes head-to-head with a young girl named Destiny (Yara Shahidi) whose natural talent for molding dairy products makes her Laura’s mortal enemy. Watching them go toe-to-toe is fun, but the comedy of Butter stretches far beyond lactose-centric jokes. The setting may be pure corn, but the comedy is hilariously raunchy, brought to life with a truly hilarious performance by Olivia Wilde as the small town stripper who decides to take Laura on to get the money that Laura’s husband owes her for services provided.

Black Lagoon: Complete Set

At one point in this action-packed anime series, the character known as Revi Two Guns (for her knack of blowing away her enemies in a hail of gunfire from the two chrome-plated automatics she wears on her hips) dismisses a comment from her comrade that the fight they just survived was like something out of a Hollywood movie. “Don't be stupid,” she tells him, “this is much funnier than Hollywood.” It’s also much more exciting and a heck of a lot more interesting to watch than just about any action movie to come out of Hollywood in the past decade. The series follows the adventures of the crew of the Black Lagoon, a band of pirates who will do just about anything if the price is right, but who also work by a code of ethics all their own. The action is well staged and animated, the dialog crackles, the voice acting is spot on and the stories are well developed. Hollywood should pay attention and try to do as well.

Beasts of the Southern Wild

Directed by Benh Zeitlin, Beasts of the Southern Wild tells the story of 6-year-old Hushpuppy (Quvenzhané Wallis) and the life she leads in the rural Louisiana community called The Bathtub. Her life is difficult at the best of times, especially since her mother left her in the care of her deeply troubled and physically ill father (Dwight Henry), but Hushpuppy gets along fine, as much a creature of the nature that surrounds her as the world of the other people in the town. When a fierce storm floods the town, Hushpuppy is forced to find a way to survive on her own. It may take you a while to surrender to the story; this is Zeitlin’s first feature film and he’s refreshingly unhindered by any traditional notion of what a movie should or shouldn’t be. It’s a visually stunning film, too, but it’s also clear that every image on the screen means something: They aren’t just pretty pictures. The same goes for just about every word spoken by the talented cast, most of whom are making their film debut in Beasts, debuts that could very well have some of them attending the Oscars this year (along with Zeitlin) as nominees.

Is This a Zombie? Season One

To say that Ayumu is not your average high school student would be a gross understatement. Murdered by a serial killer, he’s been resurrected as a zombie by a cute little Necromancer who refuses to speak to him. As if that’s not bad enough, he has a chance encounter with a magical girl and somehow steals her power to become a Magical Garment Girl. Add a vampire ninja to the mix, and you have a cast that’s ready to take viewers on a truly wild ride as Ayumu tries to find out who killed him and stop them before they kill again. With a story like that, you know there is going to be some crazy animation. There’s also a fair amount of bloodshed. The unexpected treat is the way the series shows us the emotional bond the unlikely quartet build over the course of their adventures. It really helps balance the weirdness.

Hermano

There have been countless stories about how sports can be the ticket for an individual to escape a bad situation and make a better life for themselves, but few have been as realistically thrilling as this tale of two brothers trying to use their soccer talent to get out of the Venezuelan slum they call home. The film starts with the stunning image of a young mother who, while walking her son to school, discovers an infant abandoned in a garbage heap on the side of the road. She takes the infant home and raises him as her own. The boy, who she names Daniel (Fernando Moreno), grows up to be a talented soccer player who seems destined to never reach his full potential because he can’t get out from under the shadow of his older brother Julio (Eliú Armas) both on and off the field. A shocking personal tragedy divides the brothers; Daniel tries to stay true to the dream of using soccer to save his family while Julio surrender to the need to seek revenge.

Oklahoma

Wolverine can sing? We take it for granted now, having seen Hugh Jackman sing and dance his way through a couple of Broadway shows and a job hosting the Oscars, but nobody knew he could do it when he first appeared on the London stage as Curly in this classic Rogers and Hammerstein musical. Five minutes into the first number, all doubts about his ability can be thrown out the window. What makes this DVD more than just a pretty soundtrack, though, is the excellent way that director Trevor Nunn embraces the theatricality of the experience. He doesn’t try to make a movie version of Oklahoma in the traditional sense, and he isn’t trying to give you the feeling that you are in the audience watching the show. Instead he uses the camera like it was another actor on the stage. It not only makes the show’s corniest numbers (The Surrey With a Fringe on Top) more palatable, but adds a depth to the dramatic tension to the story’s dark subplot involving the violent handyman Jud (Shuler Hensley).

The Odd Life of Timothy Green

Joel Edgerton and Jennifer Garner star as a couple trying desperately to have a child. When science and sex fail to give them what they want, they reluctantly surrender to the idea that it simply wasn’t meant to be, but not before one last drunken night of wishing where they write down the characteristics they’d want their dream child to have, put them in a wooden box and bury the box in the garden. Before you can say, “Who told them this would work?” something magical happens in their life: the box of wishes they planted is transformed to the young boy they always wanted. After some initial slapstick running around, the Greens quickly accept the gift the world has given them. And if you want to enjoy The Odd Life of Timothy Green, you need to do the same. Along with asking audiences to believe in the magic of nature bringing a desperate couple’s dream to life, literally, the movie also asks – nay, demands – that you to leave your usual cinematic cynicism at the door.

Ai Weiwei: Never Sorry

In this new documentary, audiences are given an up close and personal view into the life and work on one of the world’s most prolific – and controversial – artists. Watching the film, watching Ai Weiwei as he creates art in his studio or in a London gallery or on the streets of China, it’s easy to lose yourself in his story, in his world, because of the seductive way the movie was shot by director Alison Klayman. Those not familiar with the man and his art need to know two things about Ai Weiwei before going into the movie. First, named by ArtReview as the most powerful artist in the world, Ai Weiwei is China's most celebrated contemporary artist, and its most outspoken domestic critic. Second, in April 2011, when Ai disappeared into police custody for three months, he quickly became China’s most famous missing person.

Transformers Prime Season 2

Optimus Prime has lost all memory of his previous life and regressed back to when he was the data clerk Orion Pax. If that sentence means something to you, then settle back and enjoy Season 2 of this award winning animated series. If it doesn’t mean anything to you, then feel free to go back to the beginning with Season 1. It’s worth it, even if you didn’t enjoy what Michael Bay did with the Transformers on the big screen. Although the show is directed at a young audience, the animation and acting in the series are better than you will find on most big screen cartoons these days. Season 2 centers on the quest to discover ancient relics from the Vaults of Iacon on Cybertron, which means a lot of the shows are written in pseudo-intellectual language that means nothing outside the confines of the show, but you don’t really have to pay attention to enjoy the ride.

Patti Smith/Live at Montreux 2005

Patty Smith at a jazz festival? You better believe it. While the legendary music festival has always had a history of including non-jazz bands and musicians to its lineup, letting a punk performer Patty and her band in was a bit of a stretch, and it would be interesting to see what the promoters thought when she hocks that first loogie onto the stage during the opening number (the reggae style Redondo Beach). Whatever their reaction, it’s guaranteed that they quickly got over it as the band starts to work their way through its catalog. They do excellent renditions of their better known songs, like Dancing Barefooot and 25^th Floor, and they really look like they are having fun playing their ‘hit’ single, Because the Night. The band stumbles a bit, though, playing Dylan’s Like a Rolling Stone. Kudos to whoever came up with the idea of adding Television guitarist Tom Verlaine to the lineup.

Let the Music Play – The Story of the Doobie Brothers

Finally, the two biggest questions about The Doobie Brothers and have been answered. Yes, they got their name from their habit of smoking a lot of ‘doobies’ (aka marijuana) and while adding Michael Macdonald to the lineup brought them the biggest success of their career, most of the band members, on reflection, regret the decision (nothing personal Michael). The Doobie Brothers started as a Northern California biker bar band who were happy just to play and make enough money to cover the bar tab. Then in 1971 they released the Toulouse Street album which spawned two hit singles, Listen to the Music and Jesus is Just Alright. The rest is rock and roll history that is still being lived by the remaining band members today. The disc is divided into two sections- a 90-minute documentary and 90 minutes worth of live footage. Both are worth watching; the concert is worth watching with the volume cranked up to 11.

Hot in Cleveland Season 3

Every couple of years, there is a story in the movie press about how there are no longer any good roles for women past a certain age. The next time you see one, send Season 3 (or any season) of Hot in Cleveland to the author with a note to tell them to shut the hell up. Since its debut in 2010, stars Valerie Bertinelli, Jane Levees, Wendy Malick and Betty White have shown week after week what talented women of any age can do with good material. Season 3 starts hot on the heels of the final episode of Season 2, the one where Melanie, Joy, and Victoria wake up with no recollection of Elka's bachelorette party the night before. We quickly discover that not only is Elka’s husband (a delightful Don Rickles) not dead, but is still on the lam from the mob. Oh, and Victoria comes up with a plan to use her drunken Vegas marriage to Joy to relaunch her career. Some of the shows are a bit predictable, but the women are so enjoyable to watch they make even the most cornball routines feel fresh.

Pato Banton – Live & Seen

Most people’s knowledge of reggae music begins and ends with Bob Marley. That’s not necessarily a bad thing, but, as this delightful documentary reveals there’s more to discover and enjoy. The film is actually just a couple of reggae TV shows tacked together with Banto speaking directly at you answering questions asked off camera, so it’s not much to look at, visually speaking. That doesn’t matter because the music is so good and Banto is such an engaging interview. The film is a big fan letter to the man, too, so it doesn’t really put his career into perspective, at least in terms of the cultural and political influence of reggae music in Jamaica and throughout the world. Again, that’s not a problem because it’s pretty clear that Banto isn’t trying to be a lightning rod for political movements. He just wants to dance and have fun. You will, too.

The Raw and The Cooked

Cooking shows and celebrity chefs are so ubiquitous, and so bland, today that it’s a welcome relief to settle in and follow writer/director Monika Treut on her culinary expedition of Taiwan because she keeps the focus of the film on the food and the people who make it. And while there are plenty of cooking shows these days filled with photo ops showing the celebrity chef touring the market early in the morning, you can tell they are only doing it because the cameras are there. Not so the chefs in Treut’s film, most of whom have a personal relationship with the people who raise the food they feed their customers. The director also does a good job of establishing the place where all this lovely cooking takes place, without being snarky or judgmental about it, or too touristy, either. She’s the perfect guide for a culinary journey many of us can only dream about.

Trilogy of Life: Pier Pablo Pasolini Trilogy

Quick, what do The Decameron, The Canterbury Tales and the Tales of the Arabian Nights all have in common? If you said that they are all books you were forced to read in high school or college, books that you found awful then and would never think of reading again, you need to get this delightful set of films and reeducate yourself. What you don’t remember, and what director Italian Pier Paolo Pasolini absolutely reveled in, is that all these literary classics were, and are, full of bawdy behavior. Really bawdy behavior. Pasolini is no stranger to putting erotic — and disturbing — images on the screen, as anybody who has seen his masterpiece Salò, or the 120 Days of Sodom can attest (if they admit they say it in the first place). The movies included in this Trilogy of Life set are much more upbeat and life affirming. They celebrate sex and sin while at the same time, like in the case of some of the stories told in the Canterbury Tales, aren’t afraid to add a moral message at the end. Pasolini just makes sure we all see the smile on the sinners’ faces before the lesson is learned.

Zorro

Cinematic versions of the legend of Zorro has been told and retold since almost the invention of the medium, from Douglas Fairbanks swinging from chandeliers in The Mark of Zorro in 1920 to Antonio Banderas and Catherine Zeta-Jones trading blows and swapping spit in The Mask of Zorro in 1998. This 1975 version starring French actor Alain Delon as the masked sword fighter who marks his enemies with a Z is one of the best. Directed by Duccio Tessari (A Pistol for Ringo), the film, unlike the others before it, doesn’t try to be an action movie spectacle or worry that Zorro isn’t likeable enough. Instead, it takes the legend and the man who is bringing it to life seriously and, as a result, is far superior. Delon is particularly effective in the title role, making the decision to play Don Diego, the man hidden behind the mask, as a foppish fool. Stanley Baker is effective as the evil Col. Huerta, and the lovely Ottavia Piccolo is perfect as the fiery lady Don Diego and Col. Huerta fight over.

FCA35! An Evening With Peter Frampton

You may not want to admit it, but if you are a music fan of a certain age, you owned a copy of Frampton Comes Alive! As Wayne Campbell (Mike Meyers) explained in Wayne’s World 2, “Everybody in the world has Frampton Comes Alive. If you lived in the suburbs you were issued it. It came in the mail with samples of Tide." And even though you might not have pulled the album out to actually play in decades, you will still get a kick out of watching Frampton and his excellent band go through the double album set song by sound. And even if you haven’t heard a single note of the songs played in the show, Frampton’s infectious enthusiasm – not to mention excellent guitar playing and still strong singing voice – will pull you in.

Christmas With Danny Kaye

Unlike a lot of Christmas specific television specials, this disc pairs shows from The Danny Kaye Show (1963-1967) that just happen to air around the holiday. So there are a few Christmas numbers, but there are also a lot of non-holiday shenanigans in the shows to entertain you, too. So the first (aired Christmas day, 1963) features the legendary Nat King Cole singing The Christmas Song and doing a jazzy duet of Jingle Bells with the host, but it also features guest and Mary Tyler-Moore in a couple of skits that have nothing to do with Christmas, including an hilarious send up of operetta that features Harvey Korman and Jamie Farr. The same can be said for the second special (that aired Dec. 21, 1966) which features Peggy Lee and a very young Wayne Newton. The Christmas stuff is good, but pales in comparison to watching Lee sing Here Comes That Rainy Day.

Beijing Punk

It’s been a long time since punk music mattered in America. Like rap, it’s been commercialized, homogenized and packaged to sell to white kids in suburban malls. So it’s a relief to see the sound – and the stand – of honest punk music is alive and well in, of all places, Beijing, China. Director Shaun M. Jefford didn’t know he’d find it when the film started. He made the mistake of first going to the malls and the punk clothing stores to ask the people who wore the fashion what they thought of the music, but the blank stares he got in response told him he was heading in the wrong direction. That’s when he stumbled on a nightclub called D-22 that serves as ground zero for the real punk music movement and the film takes off. If you like this kind of music, watch it with a pad and paper handy so you can write down the names of bands and hunt for them online. Chances are they won’t get visas to play at a club near you in the near future.

Vamps

If this was the movie Alicia Silverstone and director Amy Heckerling made after they retooled Jane Austin’s Emma into critical and commercial gold with Clueless in 1995, it could have been a big hit … or at least made it into theaters. It’s the story of two young vampire chicks trying to make a life…or at least an existence…for themselves in the big city. It’s not as easy as it sounds, despite their decades of experience, particularly since they are vampires who refuse to kill people, sustaining themselves on rats and other vermin. Things get even more complicated when Goody (Silverstone) falls in love with a descendent of the original vampire killer, Van Helsing. It’s not frightening at all, but there are a few good laughs to be found, and it’s fun to watch Silverstone be ditzy, even if she’s a bit long in the tooth to pull of the cutesy act.

Dust Up

After seeing the horrors of war close-up, all Jack (Aaron Gaffey) wants to do is live a peaceful life in the desert hanging out with his Native American friend Mo (Devin Barry) drinking beer and doing yoga. His dreams of an uncomplicated life are shattered when a chance meeting with a young mother (Amber Benson) leads Jack down a path of bloody revenge. Writer /director Ward Roberts must have spent a lot of time watching grind house movies as a kid, because he perfectly captures the essence of the exploitation genre, combining gut wrenching violence with many mighty belly laughs. The story is twisted, to be sure, and it’s tempting to hit the stop button once the crazed bar owner/drug dealer Buzz (Jeremiah Birkett) starts spinning out of control. But if you make it though the disgusting scene with Buzz in the sheriff’s car, you’ll make it through the entire film, and have a hell of a ride along the way.

Dreamworks Holiday Classics

Alex the Lion and his fellow animals accidently shoot Santa out of the sky and have to take his place in the sleigh. Shrek, an ogre who never celebrated the holiday season before, needs his friends to show him what Christmas is all about. Hiccup the Viking discovers there’s a special reason all the dragons have flown away from their island home. As with all the repackaged Dreamworks Holiday shorts, the best thing about the trio of Christmas stories in this set is hearing the original voices recreate the characters that made the original feature films such big hits. Of the three, it is the one about the dragons, Dragons: Gift of the Night Fury, that works the best, thanks to a strong script and some dazzling imagery. The Merry Madagascar feature is fun, as is the bonus feature, The Penguins in a Christmas Caper. The Shrek adventure, Shrek the Halls, is a bit tired.

The Astonishing X-Men Blu-ray Collection

The most frustrating thing about the four X-Men stories in this set was the way they were originally released. You’d watch Gifted, the story of a doctor discovering a controversial ‘mutant cure.’ You’d be thrilled at the story, written by Josh Whedon, and blown away by the art work from John Cassaday. Then you’d be stuck for months waiting for the next chapter in the story of The Astonishing X-Men to hit stores. Now you can get the whole set – Gifted, Dangerous, Torn and Unstoppable – and watch them they way they should be watched, back-to-back on the biggest television screen you can find. If you already have the original releases, you may want to check this out, if only for the special features. If you don’t know about them or didn’t watch them because of the motion comic animation style the stories are told with, then give it a chance. The visuals fit perfectly with the story and the voice acting is top notch. It’s a real treat.

Brave

A young Scottish princess with an independent streak as fiery as the wild main of red hair that swirls around her head finds her world threatened when her mother, the queen, announces that the first born males of three neighboring clans will soon be arriving to battle for her hand in marriage. Rather than submit to the traditional ways, the princess decides to stand up for herself and, through her actions, for all young women everywhere, be they princesses, commoners or just little girls sitting out in the audience watching this delightful Pixar movie. If you think you’ve heard it all before or imagine you know how the story will precede, then get ready to be thrilled. Just when Brave seems to be following the usual fairy tale story of the youthful fight for true love, the plot takes an unexpected turn that leads you on an wild and wonderful journey. What that journey is, however, must not be spoiled in the pages of a review. It has to be experienced.

Pixar Short Film Collection Volume 2

Along with giving the world some of the best animated movies ever made, the fine folks at Pixar Entertainment have delighted fans with the addition of a separate short film as a prelude to the feature presentation. This excellent collection gives them a chance to stand on their own, which is both good and bad. The good comes when the creative teams at Pixar think outside the box to create a beautiful work of art, like they do with La Luna, the story of a young boy learning the family business, in this case catching falling stars to light the moon at night, or Presto, the tale of the rabbit getting his revenge on the magician who pulls him out of a hat every night. The bad comes when the films feel like little more than outtakes from or commercials for hit movies with established characters. Watching Toy Story’s Ken and Barbie go on their honeymoon in Hawaiian Vacation is amusing, but it doesn’t have the depth of story – or of art – that the more original pieces have. Still, even at its most complacent Pixar films are miles beyond the competition.

Incredibly Ever After

For years, superheroes Gazer Man and Aroma Woman have been fighting crime and helping the needy in their villages, but when they finally meet in a head-to-head match to see who is the greatest superhero of the day, something strange happens. Instead of fighting, they fall in love. Soon, they decide to hang up their costumes and try to lead a ‘normal’ live as husband and wife running a noodle shop in a small out of the way village. Of course, it isn’t long before the drudgery of normality — paying bills, running the restaurant, falling prey to neighborhood gossip — has them both longing to put on their masks once again to add a bit of spice back to their lives. Director Vincent Kok (Dragon Reloaded) finds the perfect balance of action and romance in telling the story, but it is the charming performances of Sandra Ng as Aroma Woman and Louis Koo as Gazer Man that make the movie really work.

Comes a Bright Day

A high-end jewelry store robbery doesn’t sound like the perfect setting for love to begin, but somehow writer/director Simon Aboud makes it work in this excellent romantic thriller. The film stars Craig Roberts (Submarine) as Sam Smith as a gofer for the manager a local ritzy hotel. Although he’s clearly low man on the management totem pole, Sam dreams of bigger things, like owning his own restaurant with his mate, Elliot (Anthony Welsh). Until his ship comes in, though, Sam does what he’s told and it is while running an errand for the hotel to have an expensive watch repaired that he ends up a hostage in the robbery. What happens next is a delicate balancing act between the tense action of the crime and the more delicate blossoming of affection between Sam and the posh girl that works at the shop (Imogen Poots). In the hands of a less talented cast, it wouldn’t work, but the actors Aboud has assembled are at the top of their game, especially Timothy Spall as the store owner and Kevin McKidd as the robber.

Predator Collection

If you are looking for films about aliens with dreadlocks and ray guns that hunt down humans, then you have been mislead by the title. And that’s a good thing because you are about to be introduced to a word that makes that Hollywood Sci-fi stuff look tame by comparison. The set contains four documentaries from the Smithsonian Channel — Big Cats of the Savannah, Cheetah: Price of Speed, Witness Lions in Battle and Diving with Crocodiles – that take you on an up close arm adventure to look at the world’s most fierce predators do what they do best: Hunt and eat other animals. Granted, some of the footage is difficult to watch, particularly if you are squeamish, but it’s never too graphic, even for younger viewers. The movies are more than just a series of gory killings though. There’s lots of science to be learned, although it’s done so you’ll never know you’re learning as you watch.

Nacho Mountain

Keefer (Jay Larson) is good at three things: eating, drinking and getting high. Ok, four if you count his encyclopedic knowledge of porn. When he gets fired from his office job (for watching porn on company time) he decides to take a look at his life and put his talents to good use and organizes a series of underground eating competitions. It isn’t long before his plans to make money without really having to work for it take on bigger implications when he goes up against the mayor who is trying to turn his town into the healthiest place in the country. As can be expected in a comedy about competitive eating, there are plenty of gross-out moments in Nacho Mountain. What’s unexpected is the smart script and sharp performances of the cast. Of course, if you don’t think naming one of the competitive eaters Entrée the Giant is smart and funny, then Nacho Mountain might not be to your taste. Well, give it a try anyway. You will be pleasantly surprised.

The Flirting Club

When his parents give him an ultimatum to either find a girl on his own to wed or get married to the piggish plus size woman living across the street, Jamie (Richard Di Gregorio) seeks out the help of a strange dating organization that teaches people how to flirt with the opposite sex. Through a series of increasingly hilarious misadventures and really, really bad attempts to put what he’s learned into practice, Jamie finds what he was looking for was already waiting beside him waiting to be noticed. Directors James Bedford and Alexander Jovy take a simple premise and spin it into comedy gold. They occasionally go for the cheap laugh, to be sure, but they also give their actors, particularly Di Gregorio, a chance to stretch out and build a character we can care about when all the madness slows down. The smooth blend of belly laughs and real heart is a real treat.

Stray Cats Live at Montreaux

There was a time, and it was right around the same time that this concert was filmed, when the Stray Cats mattered. They weren’t just another pop group; they were a statement, form their slicked-back hair and tattoos to their rockabilly sound. They may just be a footnote on pop music history now, but watching them perform is a reminder of how much fun they were – and are – to listen to. The show looks and sounds fabulous on Blu-ray, but you could watch The Stray Cats – guitarist/vocalist Brian Setzer, upright bassist Lee Rocker and drummer Slim Jim Phantom – on a snowy black and white TV and the energy they put our would still make you wanna dance. The hits are strong, with the band really firing on all cylinders in a rousing rendition of Rumble in Brighton, but it’s the way they take a classic like Be Bop A Lula and make their own where the guys really shine.

Klitschko

If you are a fan of professional boxing, then you probably already know the story – or think you know the story — of these two Ukrainian brothers and their dominance of the sweet science for the past decade. But this film, from director Sebastian Dehnhardt, isn’t really about boxing; it’s about the life of the brothers outside the ring ad how that life is what allows them to be such powerhouses when the bell rings. Too say that Vitali and Wladimir Klitschko didn’t have an easy life growing up is a gross understatement yet even when Vitali takes a trip to visit the one room apartment his extended family grew up in there isn’t any remorse or regret or anger on display, It is, he says, what it is. He also lets you know that he never forgot where he came from and how much he enjoys the view of his past he has from his expensive Florida home. As for the ultimate sports question – when will the Klitschkio brothers face each other in t he ring – the film gives an answer that says more about them men than anything you will her on Sportscenter.

Fire With Fire

Bruce Willis, Josh Duhamel, Rosario Dawson, Vincent D’Onofrio…looking at a cast that strong and realizing this movie never made it into theaters will lead you to the conclusion that this movie must really suck. Well, surprise, surprise. It doesn’t In fact, it’s pretty damn entertaining. The story centers on a fireman (Duhamel) who witnesses a murder in a convenience store and decides to do the right thing and testify even though the killer is a psychotic mob boss with a knack for violence. To keep him safe for the trial, the fireman is put into witness protection, but it isn’t long before his whereabouts becomes known to the killers and the chase begins. Veteran television director David Barrett (The Mentalist, Castle) does a good job keeping the tension cranked up to 11 throughout most of the film, and that keeps the energy levels high enough to forgive the occasional gaping holes in the plot. Of course, all he really needs to do is keep the camera focused on D’Onofrio whose performance as the killer is absolutely chilling throughout the film.

Rags and Riches: The Mary Pickford Collection

Mary Pickford was the first international superstar of the silent film era, and it’s about time that modern audiences discover why by watching this excellent set of films. The set starts with Poor Little Rich Girl, a dramedy (to use the modern term) about a young girl named Gwendolyn who tries anything to get her parents to pay attention to her. It’s only when she accidently dies from an overdose of sleeping syrup given to her by the cook (who wants to go out to the theater with her boyfriend) that the parents wake up to what they would miss of their little girl dies. The film is a bit melodramatic, but the trippy dream sequence that Gwendolyn goes through as she slips away is brilliant. Sparrows is a gothic drama about Mollie (Pickford) leading a band of children in a daring escape from a Louisiana baby farm, and it has to be seen to be appreciated. The Hoodlum repeats the poor little rich girl scenario, this time played for comedy. Put together, it’s a treasure trove of cinema and a welcome introduction to one of the industry's brightest stars.

Wolf Lake

Lou Diamond Phillips stars as a Seattle Police detective investigating the mysterious disappearance of his girlfriend and discovering that the legends of the local Native Americans tell about people with the ability to change into wolves aren’t just scary bedtime stories. While it may feel like it was rushed into production to cash in on the Twilight fever, but the story is based a lot more in ‘reality’ than the land of love-sick teenagers peopled by werewolves with six pack abs and sullen, sparkly vampires. The scripts are smarter than that, even if they do cross the line of credibility as the series progresses. It’s a big plus that the people who can become wolves – called skin walkers – turn into actual animals and not just teenagers in rubber masks. The young cast members of the series are all pretty generic, so it’s up to the veterans – Phillips, Tim Matheson (Animal House) and Graham Greene – to put some honest edge into the stories.

11 Samurai

While out hunting, a Japanese nobleman accidently crosses the border to a neighboring fief. He is confronted by officials of the offended noble who, seeing the rank of the hunter (he’s Nariatsu, the son of the former Shogun) decide to let him go with a warning. Rather than being please with their decision, Nariatsu responds by shooting an arrow into the eye of the lead official, a move that sparks a war which nobody but Nariatsu thinks is necessary. So, it’s up to a band of rogue samurai to come up with a plan to stop Nariatsu before the war can begin. The story may be familiar, especially to fans of the other two films in the trilogy from director Eiichi Kudo (13 Assassins and The Great Killing) but the fight of the poor and suppressed to over throw tyrants never gets old, particularly when it’s fought by samurai. Shot in gorgeous black and white by cinematographer Sadaji Yoshida (Return of the Street Fighter), the film is both stylish action-packed.

Total Tinsel Collection

It’s been a while since a new holiday series has come along that is not only worth watching, but is worth keeping around for future celebrations. The adventures of Prep and Landing fill the bill nicely. The short animated films tell the adventures of Christmas elves Lanny and Wayne who work for Santa’s Prep and Landing division, which means they visit the house before the sleigh arrives to make sure there are no creatures stirring, that the milk and cookies are in place, that there’s enough room under the tree for the presents and, most importantly, that the landing lights are set up on the roof for the reindeer to guide them to a safe landing. In the first movie, Prep & Landing, Wayne doesn’t do a very good job of making sure the children are snuggled all snug in their beds and they get caught. In the second, they have to battle a young girl who has hacked into Santa’s main frame on Christmas Eve to change everybody’s status to naughty. The stories are smart and funny, the animation better than expected and the voice talent, particularly Dave Foley (A Bug’s Life) as Wayne, is excellent.

Javier Bardem 3-Film Collection

With his latest turn as a Bond villain in Skyfall, it seems only fitting to take a look back on the career of Javier Bardem, and this fascinating three-movie collection is a great place to start. The film most familiar to viewers will be No Country for Old Men, the 2008 Coen Brothers movie for which he earned a well-deserved Oscar as Best Supporting Actor. It’s still a great movie, and Bardem’s performance as the evil Anton Chigurh is mesmerizing. Bardem is just as fascinating playing a completely different role in Biutiful, the story of a petty criminal trying to provide for his children with what he makes running deals and scams on the streets of Barcelona. It’s a beautiful performance, mainly because Bardem doesn’t play it to gain out sympathy in any cheap pr easy way. Rounding out the collection is Mondays in the Sun, the story of a band of unemployed shipyard worked on the coast of Spain. It’s obviously a story that resonate with the world today, and they way Bardem and his fellow actors portray men who won’t let life beat them down is inspirational.

Doug Stanhope: Before Turning The Gun On Himself

Doug Stanhope is an acquired taste, and you will know if you have acquired it within in a few minutes of his stand-up performance. If you are a fan, you’ll be in Stanhope heaven watching this set, recorded in Salt Lake City. Stanhope is as abrasive as ever, but he’s also sharper than ever, whether he’s skewering the cult of celebrity rehabilitation of arguing the “Keynesian Economic Theory as Applied to Private Sector Independent Contracting” (one of the show’s funniest bits). The fact that he can offend as he enlightens is a rare gift for any performer, and it is fun to wonder which Stanhope enjoys more. (His fans, at least at this show, seem to prefer the more grating style of his personality.) And if you are not a fan … give him another chance. Yes, he may say things that will keep you awake at night if you are easily offended, but he will also make you laugh if you relax and let him.

Sunset Boulevard

Directed by Billy Wilder, Sunset Boulevard is one of the creepiest movies ever made. It’s also a classic movie that has a lot to say about Hollywood, fame and stardom, but what will stick with you long after it’s over is the cold, clammy feeling crawling up your spine as you watch it. The movie stars William Holden as Joe Gillis, a struggling screenwriter who, while trying to get away from the repo men who want to take his car, gets a flat tire and has to hide out in the garage of what he thinks is an abandoned old mansion. He quickly discovers that the house is occupied by fading silent film star Norma Desmond (Gloria Swanson) and her butler Max (Erich von Stroheim) who mistake him for a handyman hired to help in the burial of a beloved pet chimpanzee. Rather than run for the hills like he should, Joe hangs around hoping to find a way to make money off the crazy old actress, but his plans are pitiful compared to what she ends up doing to him.

Cut to the Chase: The Charley Chase Comedy Collection

He may not be as familiar to modern cinema fans as his contemporaries — as Charlie Chaplin, Buster Keaton and Harold Lloyd – but Charley Chase was one of the pioneers of silent film comedy and this collection of more than five hours of his classic short films is a fantastic chance to rediscover what he was all about. Like a lot of his peers, Charley built his success by playing a stock comedy type in all his films, his choice being a dapper kind of wimp who gets bullied in the first part of the film then finds his spine just in time to exact his revenge – or at least try to — before the movie ends. His humor works best when it gets a chance to play at a slower pace, like it does in Be Your Age where Charley has the time to build a character and not just be a joke machine. His style gets a bit stale, too, if you watch too many of the shorts back-to-back, but in small doses, say a movie or two at a time, he’s one of the best.

Shamus/Physical Evidence/The Anderson Tapes/Breakout – 4-pack

There was a time when the heroes in movies didn’t wear spandex or have super powers; they were just tough guys (usually with cool mustaches) who stood up for what was right, or at least made doing the wrong thing look cool enough to make it feel right. This four-movie set is proof. Burt Reynolds, THE box office king at one time, star in two of the movies, playing a private investigator in one (Shamus) and a suspended police officer in the other (Physical Evidence). They’re entertaining, and it’s nice to compare the Burt of 1973 (Shamus) with the Burt of 1989. Breakout, the story of a wealthy socialite hiring a guy to break her husband out of a Mexican jail, isn’t a very good film, but it’s always fun to watch Charlie Bronson do his thing. The best movie of the set may be The Anderson Tapes, starring Sean Connery as robber released from serving 10 years in prison and his plans to pull off a heist in a world that’s very different than it was when he went away.

The Muppet Christmas Carol

There are many, many film versions of the Dickens classic about a crusty old miser finding the meaning of Christmas spirit, but not all of them have a felt frog playing the part of Bob Cratchit or a creature know as The Great Gonzo playing the part of Dickens. Released to theaters 20 years ago, this movie has more than its share of problems, like the saccharin songs of Paul Williams, but there’s enough inventive Muppet fun to make it worth watching. Heck, it’s worth it just to watch Statler and Waldorf, the grumpy old guys who sit in the balcony in The Muppet TV show, as Scrooge’s old business partners, Jacob and Robert Marley. And let’s not forget the human lead in the cast, the fabulous Michael Caine, who delightfully chews the scenery as Ebenezer Scrooge. If only he didn’t sing at the end.

I Am: SMTOWN

The music, surprisingly enough, is the least interesting thing about this concert film that features 32 of the biggest musical acts of K-Pop (Korean Pop). If you are a fan of K-Pop or of today’s heavily processed pop sound, then you can sing and dance till you heart’s content to KANGTA, BoA, Super Junior and the rest. It’s the film surrounding the stage show that’s truly interesting, even if you don’t enjoy the music. You get a close-up view of the bands rehearsing their numbers, which is interesting, but you also get a lot of one-on-one time with the various performers that takes you behind the glamor to see the passion that made these young performers rise to the top. It’s a bit strange to hear them talk about their stage personas in the third person, but when you see the confusion American pop stars have telling the difference between the performer and the person, maybe there’s a lesson to be learned.